“For a jazz pianist, the mastery entails a staggering breadth of knowledge about harmony, rhythm and orchestration, all converging in an eloquent synthesis. Veteran New York Times jazz critic Nate Chinen wrote a profile about him in 2015: “Jazz prodigies rarely have full command of their artistry,” he wrote. One of his online bios states “ Not many jazz musicians can boast three GRAMMY Award nominations before age 16″ and “At only 10 years old, he was hand-picked to mentor under jazz heavyweight Wynton Marsalis.” At the age of 11, a year before the 60 Minutes special, Alexander had dazzled crowds at the Montreal and Newport Jazz Festivals. Of course, at that point in his career, the focus was almost always on his youth. When reminded of the clip earlier this week in an interview with Postmedia, the now 19-year-old pianist says he has fond memories of the interview and spending the day with Cooper and Marsalis. “No one has ever seen a person play with that type of sophistication harmonically, knowledge of the music, and the type of formed identity to invent something cohesive in the context of (that) time,” Marsalis says, as young Joey sits in silence. The next issue of Calgary Herald Headline News will soon be in your inbox. If you don't see it, please check your junk folder. Manage Print Subscription / Tax ReceiptĪ welcome email is on its way.Anderson produced for Mike Wallace for more than 20 years at 60 Minutes. Rebecca Chertok Gonsalves was the associate producer and Will Croxton was the editor. The video at the top of the page was produced by Will Croxton and Brit McCandless Farmer. "He could take on any kind of story - interview presidents, investigate drug dealers in China, and then do a lovely, lyric feature story that was just as charming as it could possibly be." Pelley's profile of Alma, which Anderson produced, has been an audience favorite each time it re-airs. That prodigy was Alma Deutscher, a young girl who was playing piano and violin by the time she was three years old and wrote her first opera when she was 10. One day he would be in Hong Kong covering protests, and on another day, he was outside London, in the home of a musical prodigy. Other times, he was covering politics, producing an interview with then-Republican presidential candidate Donald Trump or former Speaker of the House Paul Ryan. Sometimes he covered space, producing pieces on the Hubble Space Telescope and NASA's "Curiosity" rover. One aspect of Anderson's producing that made him so integral to 60 Minutes was his seemingly limitless range. Once the investigator was able to find the father, Anderson tracked him to a grocery store that he frequented, then surprised him as he left, filming the entire encounter.Ħ0 Minutes Archives: Alma Deutscher, British music prodigy 13:09 Once in Shanghai, Anderson hired a private investigator to track down the duo. But that was not enough for Anderson - he wanted to go to China to confront the people who were behind the mail-order fentanyl operation, a father-and-son team who went by the alias "Gordon Jin." Attorney's Office in Ohio, to talk with people who had lost their loved ones to fentanyl. One of the best examples of Anderson's relentless work was a report he and Pelley did about fentanyl, a synthetic opioid 50 times more potent than heroin, that was being sold online from China.Īnderson worked with the U.S. "He burned up shoe leather talking to people, digging up the facts, traveling anywhere he had to go in the world to get a story nailed down." "He is a journalist," correspondent Scott Pelley said. In all of his three decades at 60 Minutes, Bob Anderson was a hands-on producer. 60 Minutes Archives: Buying fentanyl online from China 12:27
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